Design wasn’t the plan, but it kind of kidnapped me.
I am studying Illustration and Visual Media, but somewhere along the way, I fell into design — and stayed. I’m self-taught, curious, and always messing around with new ideas and tools. I’ve worked with real clients (the kind that pay you!), and I’m constantly learning more as I go. Still figuring it out, but loving the process.
This branding project reimagines Tillandsias, or air plants, as “Nude Plants” — raw, rootless, and wild. Inspired by its sculptural, soil-free nature, the brand embraces minimalism and rebellious sensuality. The slogan “Meet your new wild thing” captures their untamed spirit. The identity includes logo design, copywriting, social strategy, and packaging, celebrating nature stripped to its purest form.
Nude Plants
Branding and Identity, 2023
Energy.
Pattern Design,
“Energy” is a visual project that demonstrates how energy transcends words; it doesn’t require language to be understood. Energy is something we all feel, no matter who we are or where we’re from. In the design, I used typography not only to spell out the word but also to symbolise it.
2025
SACRILEGE
''If brands are sacred, boycotting is sacrilege — and that’s exactly what we need.''
Problem:
The war in Gaza has led to catastrophic human suffering, driven by political, military, and economic systems that often hide in plain sight. Many global corporations are either complicit in or profiting from this violence — yet these brands are treated as untouchable icons in our daily lives.
Insight:
In a culture where brands are sacred, questioning them feels like sacrilege. This project reclaims that word to reveal the moral absurdity of protecting logos more than lives. Through design, I challenge this silence and encourage people to take action through conscious consumer choices — specifically, by boycotting brands that support injustice.
Solution:
Sacrilege is a visual campaign made up of three posters and one animation that challenges consumer habits through design. The campaign reminds us that real power lies with people. Every choice — especially what we refuse to buy — can be a quiet form of protest and a loud stand for justice.
Purpose: Designed to be displayed in public or online as silent yet powerful statements.
Tone: Bold, confrontational, and minimal — designed to provoke a pause, a thought, a question.
Responsibilities
Concept development, Research on boycott-linked brands, Visual design, Animation & layout, Campaign narrative & messaging
Tools Used: Adobe Premiere Pro, Illustrator, Photoshop
Poster Designs.
2025
This series explores the relationship between typography, layout, and meaning. Each cover design tells a story shaped by a specific concept.
Visit Osmangazi
Promotional and Editorial Design, 2025
Commissioned by the Osmangazi Municipality following a political shift toward secular modernisation, this project aimed to rebrand the district as a tourist-friendly destination. I created a hand-illustrated regional map and a brochure titled Things to Do in Osmangazi, alongside promotional social media content. The work supported the municipality’s new image as an open, modern, and culturally vibrant area.
cleVEr
kids.
DON'T NEED MEAT!
Packaging Design, 2024
This supplement campaign, aimed at vegan families, highlights Rubik's cubes and conveys the message, "Smart children do not need meat products to solve Rubik's cubes!
Plastic Stories, Zine and Layout design, 2025
The Plastic Stories project aimed to help me develop my Adobe Illustrator skills. This project evolved into unique characters, each with their own stories. Ultimately, the process led to the creation of a sarcastic zine that was self-initiated. I aimed to challenge myself by combining random, storyless images into cohesive designs. As I worked on these designs, narratives began to unfold. What started as a superficial interpretation of individuals through a fairy-tale lens became an experimental exploration of character development.